Since it's awards season, there's been a plethora of great scripts made available to the public. I went on a downloading spree, snatching anything that remotely grabbed my interest.
I've never been a very good 'script reader.' It wasn't until about halfway through my Screenplay as Lit class that I read a script I felt could have been a movie. And they all had been made into movies. So I've resolved this year to read more scripts, both to educate myself on how to be a better script reader and how to be a better right.
Earlier this week I read Beginners and Black Swan. I have seen neither movie. I was reflecting on them today, and here's what stood out to me --
1. As soon as I had finished Black Swan I wanted to watch the movie. It's now at the top of my 'To Watch' list.
2. I couldn't remember if I had actually finished Beginners or not.
If that was all I took away from this week, I still think I'd have learned plenty. When a reader finishes your script, you want them to be anxious to see the movie. You need to end on such a strong note that your story in their head for days.
Granted, these are two completely different types of scripts. And I really did enjoy them both. But I had two big concerns with Beginners. 1. It didn't seem to dig deep enough. The most interesting part of Beginners was Oliver's relationship with his father. I felt as if there was unexplored potential there. And 2. Ana is a manic pixie character (I mean, she's French). I'm just over that.
Black Swan made strong story choices. And yes, Beginners was a completely different genre and was aiming to tell a different sort of story, but I felt that it could have made stronger choices. It's actually a point V and I discussed the most recent time we met. We were trying to decide if one character should just offer to do something or really do it. I think if you're going to offer, if you're going to hint, if you're going to suggest, you should just commit all the way and jump in with the stronger choice.
So. What's next?